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«Циничные карты» культурный шок в бесплатной онлайн игре!
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2. Find the exhibition «River of Time. Ivan Goryushkin-Sorokopudov»

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Female Portrait (Klavdiya Bulayeva)

Creation period
1934
Place of сreation
the Russian Empire
Dimensions
71x50,5 cm
Technique
cardboard, pastel; graphics
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Ivan Silych Goryushkin-Sorokopudov created an extensive gallery of portraits featuring his friends, colleagues, and students, often employing mixed media and showcasing a sketchy, draft-like quality. His works typically combined the matte surface of tempera with charcoal, pastel, and watercolor, resulting in a unique color scheme that effectively revealed the essence of each subject.


Female portraits by Ivan Silych Goryushkin-Sorokopudov usually featured such characteristics as a sense of aristocracy and sophistication, aligned with the new aesthetic aspirations of the era and the Art Nouveau style. Notably, Klavdiya Vasilyevna Bulayeva posed for the artist on two occasions.


In his portraits of Klavdiya Bulayeva, Ivan Goryushkin-Sorokopudov captured her vibrant energy and cheerful spirit, portraying her with a wide smile and sparkling eyes. However, the work in the museum’s collection shows the sitter in a more stylized manner, wearing a voluminous bright red hat with a brim and a coat casually draped over her shoulders, complemented by gold earrings. In contrast, the second portrait presents her as a tanned woman lit by the sunlight, wearing a green headscarf.


The portraits of Klavdiya Bulayeva exude joy and embody a sense of hope for the future. Ivan Goryushkin-Sorokopudov created these works in his home in Ivanovka near Penza, a place that inspired him and fueled his imagination. Many of his friends visited this artistic retreat, often becoming models for the Russian and Soviet artist.


Ivan Goryushkin-Sorokopudov’s portrait of Klavdiya Bulayeva embodies the spirit of the modern woman. The sketchy style of the portrait highlighted the most significant traits of the sitter’s character: her optimism and openness. The bold, vibrant strokes of red used on the tie and headdress revealed the artist’s intent to convey the sitter’s character through the use of color alone. Goryushkin-Sorokopudov believed that the features of the new era were reflected not only in clothing but also in the people themselves, and he was particularly fascinated by the hardworking, active women of the early 20th century.
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Female Portrait (Klavdiya Bulayeva)

Creation period
1934
Place of сreation
the Russian Empire
Dimensions
71x50,5 cm
Technique
cardboard, pastel; graphics
0
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Ivan Goryushkin-SorokopudovCollection

Portrait of Fedot Sychkov
Portrait of Fedot Sychkov
Penza Art Gallery named after Konstantin Savitsky
Lenin’s Speech
Lenin’s Speech
Penza Art Gallery named after Konstantin Savitsky
A Girl with Apples
A Girl with Apples
Penza Art Gallery named after Konstantin Savitsky
Portrait of General Nikolay Petrov
Portrait of General Nikolay Petrov
Penza Art Gallery named after Konstantin Savitsky
Study of a church
Study of a church
Penza Art Gallery named after Konstantin Savitsky
Yaroslavna’s Lament
Yaroslavna’s Lament
Penza Art Gallery named after Konstantin Savitsky
Illustration to Alexander Kuprin’s “Olesya”
Illustration to Alexander Kuprin’s “Olesya”
Penza Art Gallery named after Konstantin Savitsky
Portrait of the Sculptor Konstantin Klodt
Portrait of the Sculptor Konstantin Klodt
Penza Art Gallery named after Konstantin Savitsky
Portrait of the Penza Art School Professor
Portrait of the Penza Art School Professor
Penza Art Gallery named after Konstantin Savitsky
At the Apiary
At the Apiary
Penza Art Gallery named after Konstantin Savitsky
The Kiss
The Kiss
Penza Art Gallery named after Konstantin Savitsky
Portrait of Nina Savkova
Portrait of Nina Savkova
Penza Art Gallery named after Konstantin Savitsky
Portrait of Princess Mansyreva
Portrait of Princess Mansyreva
Penza Art Gallery named after Konstantin Savitsky
Portrait of the Artist’s Mother-in-Law
Portrait of the Artist’s Mother-in-Law
Penza Art Gallery named after Konstantin Savitsky
Sketch for the painting “The Uglich Case”
Sketch for the painting “The Uglich Case”
Penza Art Gallery named after Konstantin Savitsky
Portrait of a Sister of Mercy
Portrait of a Sister of Mercy
Penza Art Gallery named after Konstantin Savitsky
Self-portrait. The 1930s–1940s
Self-portrait. The 1930s–1940s
Penza Art Gallery named after Konstantin Savitsky
Fallen Bells
Fallen Bells
Penza Art Gallery named after Konstantin Savitsky
Portrait of Antonina Sobolshchikova-Samarina
Portrait of Antonina Sobolshchikova-Samarina
Penza Art Gallery named after Konstantin Savitsky
The Sun for Summer — Winter for Frost
The Sun for Summer — Winter for Frost
Penza Art Gallery named after Konstantin Savitsky
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
«Циничные карты» культурный шок в бесплатной онлайн игре!
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